By Number Ten Architectural Group
In October of 2015 Heather Anderson, Number TEN’s Hospitality/Entertainment studio lead and senior Professional Interior Designer, was one of 25 professionals selected by the Interior Designers of Canada (IDC) to attend the HOST 2015, the 39th International Hospitality Exhibition in Milan, Italy.
By Number TEN Architectural Group
With an office distinguished by character, a collegial environment and delight in the creative process, design culture is integral to the Number TEN philosophy. We are always on the look-out for innovative ways to communicate, design and build. Recently, the Number TEN spirit of design culture was further strengthened through Design Interns Aaron Pollock and Victoria McCrea’s work in the development of what has come to be known as ‘The Ministry of Competitions’.
By: Greg Hasiuk – Practice Leader, Number TEN Architectural Group
Winnipeg has long been known for its flourishing music scene, historic architecture, delectable multicultural cuisine and its sizable population of creative, well-educated citizenry. Perhaps it’s the long, cold winters that nurture and encourage creative expression. It’s been said that our vast collection of affordable-to-rent character buildings contribute to our city’s creative gift, providing a treasure trove of artistic laboratories from which creative types can freely hone their craft. Or maybe there’s something in that occasionally brown tap water that causes us to punch above our weight in all things creative.
By Kerry Feeney, Architect
It isn’t glamorous, and maybe architects don’t want to admit it, but we talk about toilets a lot. Whether it is the actual plumbing, occupancy issues, or barrier-free design, the toilet figures prominently in an architect’s life. But in a correctional environment, the throne is king. The decisions we make as designers and operators about where the toilets are located, how they are controlled, how many there will be, and even what they are made of, will have bearing on those living and working in these facilities in ways that are more complicated and profound that just providing a device to accept waste.
By Brent Bellamy, Creative Director and Architect
As Winnipeg's trees drop their leaves and brace themselves for another winter, the full effects of the city's tireless battle against Dutch elm disease has revealed itself once again. Trees resigned to their ultimate fate wear an orange dot of paint like a scarlet letter, and significant gaps can now be seen in the once-continuous tree canopy that rises above many of the city's neighbourhoods.
In 1900, Winnipeg's civic leaders decided that to elevate the image of their gritty, featureless prairie town, residential streets should be built with boulevards and lined with grand trees. The American elm was the species of choice because it was beautiful, resilient and readily available to be transplanted from the city's riverbanks.
That forward-thinking decision has defined the image of Winnipeg for more than a century. The quality of light filtered through a cathedral arch of 25-metre-high elm trees is a uniquely Winnipeg experience. These trees today form the backbone of an impressive urban forest, one of the city's truly special attributes.