After a remarkable 31-year tenure as a Partner with Number TEN, Robert Eastwood completed his carefully planned transition in March to his new role as a senior advisor to the firm. To the casual observer, it may appear as though not much has changed. Eastwood still works out of the same office, still puts in countless hours working on projects, and apart from a recent low-key office celebration of his professional accomplishments, work continues on much as before. In short, he is still the same person he always was: a hard-working family man who lives and breathes architecture.
Image: A selection of Bob Eastwood's projects, completed during his long career at Number TEN
Number TEN’s commitment to innovation was well-demonstrated in the last few months as Number TEN Partner and Practice Leader Greg Hasiuk attended a number of local and national symposiums, workshops and events on the theme of innovation in the 21st century.
In February, Greg attended the Canadian Construction Innovations (CCI) annual general meeting in Toronto. Established in 2009, CCI is committed to facilitating communication and teamwork within the construction industry in order to promote and streamline industry-wide innovation.
CCInnovations aims to establish a new culture for innovation in the construction industry
The Number TEN Partners are very pleased to announce that seven of our team members have accepted roles as Associates, and will be joining our new Associate Group as leaders in our firm. Number TEN created the Associate Group to broaden involvement in firm-wide strategic planning, firm management, business development and leadership succession. Each of these individuals possesses a balance of experience and skills that will undoubtedly translate into continued success for our firm, as well as our clients, well into the future.
Seven Stones Community School in Regina, SK, earned a prestigious Award of Distinction from the Association for Learning Environments (formerly CEFPI) on Sunday, October 25 at its 2015 LearningScapes Conference in San Diego, California. Along with four other international school projects, Seven Stones beat out over 90 project entries submitted by architecture firms from around the world.
Number TEN Practice Leader Greg Hasiuk and Architect Stacy Dyck attended the annual three-day conference, to accept the award. Number TEN collaborated with Fielding Nair International on the project. The event is the world's largest juried exhibit recognizing exceptional planning and inspired architectural design of high quality learning environments.
“This is our second project with Regina Public Schools to be recognized for design excellence, the other being Douglas Park Elementary School in 2013. The leadership of Regina Public Schools and the support of the community have been instrumental in creating these innovative learning environments,” says Hasiuk.
In addition to the awards presentation, the exposition included a variety of workshops, panel discussions and tours of innovative learning environments in the Southern California region. Many of the world’s most prominent education facility design leaders were in attendance, sharing ideas and discussing advancements in educational facility design.
"Number TEN considers research and innovation as important pillars of our ability to deliver design excellence. Attending industry leading conferences such as these are pivotal.” For more information on all of the 2015 Awards of Distinction projects, click here.
An important tradition in Manitoba’s architecture and design industry was reinstated on Wednesday, October 15 when the Premier’s Awards for Design Excellence were given out to a handful of prominent Winnipeg design firms at the Manitoba Legislature for the first time in three decades.
Number TEN’s Brent Bellamy and Doug Hanna accepted an Award of Merit for the Qualico Family Centre at Assiniboine Park. The unique facility, nestled seamlessly into its park surroundings at the edge of a tranquil duck pond, has become a favorite locale for park visitors. The building serves as a gathering place, restaurant, multi-purpose and children’s activity space as well as a fireplace lounge – amenities that were previously absent from Assiniboine Park, one of Winnipeg’s most significant and popular attractions.
Premier Greg Selinger (centre) presents Award of Merit to architect Brent Bellamy, Assiniboine Park Conservancy CEO Margaret Redmond, as well as Number TEN partners Doug Hanna and Dave Lalama (from left to right).
“It is an honour to have a project recognized among such an inspiring collection of work from a design community that is transforming Winnipeg’s image on the national stage,” says Bellamy. “The success of the Family Centre is the result of a visionary client who has been committed to re-establishing Assiniboine Park’s place as a jewel in our city’s crown. It has been a humbling and personally fulfilling experience to join them on that journey.”
According to Bellamy, the goal for the design was to create a responsible, evocative and emotionally inspiring building rooted to its site, resonating with its specific place and greater context. Structure, space and materials, he says, are choreographed to the rhythms of nature, expressing the beauty and power of the landscape.
The Premier’s Award for Design Excellence originated as the Product Awards in the 1970’s. The bi-annual awards, last presented in the 1980s, have been reinstated to honour the significant contributions made by architects and professional interior designers to the social, cultural, artistic and economic development of Manitoba, Premier Greg Selinger said in a government release.
The esteemed jury for the awards were comprised of a list of prominent design and media professionals including Dan Hanganu, architect, Montreal; Elsa Lam, editor, Canadian Architect, Toronto; Stanley Sun, professional interior designer, Toronto; Peter Briggs, landscape architect, Anchorage, Alaska; and Martin Cash, lay juror, veteran business reporter and columnist, of the Winnipeg Free Press.
Read More about Qualico Family Centre: http://www.numberten.com/institutional/qualico-family-centre
The Richardson College for the Environment & Science Complex is a state of the art facility designed to foster science and sustainability education for thousands of students in Manitoba. On August 31, 2015, the facility was officially recognized for its innovative energy efficient design with LEED ® Gold certification from the Canada Green Building Council.
The College is a landmark development that houses the University of Winnipeg’s Biology, Chemistry, and Environmental Studies academic programs. Consisting of more than 30 research and teaching laboratories, a vivarium, and rooftop greenhouse, the three-storey building at 599 Portage Avenue in Winnipeg welcomes over 2,000 students daily. Number TEN served as prime consultant on the project with the objective of meeting the University’s goal of creating a highly sustainable and leading-edge science complex.
The $45.7 million complex remains one of the most energy efficient educational laboratory buildings in North America. An innovative three-mode airflow system, designed by SMS Engineering, ventilates laboratories to capture approximately 80 percent of energy lost in laboratory exhaust. In addition, a 3,000 square-foot wall, made from salvaged hard maple wood, stands to the north of the building to honor the historic neighborhood roller rink that formerly stood on the site.
Laboratory buildings traditionally consume up to five times more energy than commercial office buildings, mainly due to the large amount of ventilation that is required to purge lab spaces. The project team designed the building using an innovative lab ventilation strategy that reduces energy demands while providing a safe and inspiring work environment for students and staff alike.
Prime Consultant: Number TEN
Mechanical & Electrical: SMS Engineering Ltd.
Structural: Crosier Kilgour & Partners Ltd.
LEED and Commissioning: Integrated Designs Inc.
Landscape: Scatliff, Miller & Murray
Code: John Frye
Acoustics: Daniel Lyzun & Associates
The $180 million expansion of Winnipeg’s RBC Convention Centre will enhance the city’s core by attracting larger conferences, events and shows while offering spectacular views of downtown. Numberten.com interviewed Bob Eastwood to provide an update on construction progress and shed light on some of the interesting features of the design.
How is construction at the RBC Winnipeg Convention Centre progressing at this point?
Construction is progressing very well given the scale, complexity and enormous volume of the spaces. The Number TEN/LM Architectural Groups in Joint Venture are working in a design build team with Stuart Olson Construction Ltd., who are leading the project and are very committed to meeting substantial target dates in November of this year.
That’s very exciting to hear. What is currently happening at the site right now?
Work is underway in a number of key areas. The main ballroom, a 4,000 person ballroom on the main floor, is getting ready for the installation of the wood ceilings and is getting closer to the finishing stages.
Since the project has a huge footprint, much of which spans a street, the soffits are the biggest single exterior element to finish. Also, in the next month or so, work will begin on a unique architectural feature – a perforated stainless steel screen over York Avenue that will be lit up at night.
A key focal point area underway is the City Room, featuring a custom ceiling design of a very contemporary crystal-like pattern that in many ways alludes to the idea of fractured ice and northern snow.
Tell us a little bit more about the City Room. What was the idea behind it?
The City Room takes advantage of the incredible urban design opportunity created by the RBC Convention Centre’s location in the heart of downtown Winnipeg.
To expand the useable convention floor space we bridged an entire city block, effectively almost doubling the space, extending south over York Avenue. This created a very unique opportunity: an enormous piece of the new building that is, in fact, a bridge looking east and west.
Bridging York Avenue, the City Room features 50 foot high glass walls offering sweeping city views towards the Human Rights Museum on one side and the legislative district on the other. Moveable walls will allow the space to become discreet or dynamic for major events.
Can you give us a sense of how much glass is used in this room?
The room is approximately 130 feet wide and an entire city block long, and cantilevers out over adjacent streets. It is about 30 feet to the underside of the trusses, and the trusses are 20 feet deep and 50 feet to the ceiling. The room is basically glazed floor-to-ceiling at the east and west ends for the entire width of the room.
What kind of power system, then, is used to heat and cool a room of that size?
The LEED Silver certification process is already underway and has been submitted to the Canada Green Building Council for evaluation. Part of that process requires we optimize the building envelope, the quality of the glazing and the efficiency of the heating systems. It is a traditional system in that there are boilers for hot water heating and chillers for air handling, which we optimized. The high levels of ventilation required for convention centres made this a challenge, so we did everything we could to recover energy from that ventilation process.
Can you tell us a little bit about the original convention centre?
The original convention centre was designed as an architectural consortium by Number TEN and LM Architectural Group in 1969, and completed in 1974. It was the first major new convention centre in Canada at the time and was unique within all of North America.
The design had a number of unique features. It is three levels and built in the middle of a major city, as opposed to in the suburbs and on just one level. The convention floor is situated at the top, allowing for the largest useable floor space, and a built-in ramp system allows for the quick supply, movement and turnaround of materials. The building is designed so you can drive semi-trucks up to unload materials on the third floor of the centre itself, and then down a ramp on the other side of the building.
We're working on the expansion with LMN Architects, an international convention centre design consultant from Seattle. When they saw this 40 year old convention centre they said it's an excellent piece of planning for its day as it still functions very well, whereas many older convention centres from that period do not still function well for use.
How then does the new design enhance the existing one? How do they play together?
The designs work together on a couple of levels. The existing building had very tight space from the lobbies adjacent to the convention floor. The new convention centre has a major public lobby on the third level, which may become more common for use as the major entry point to large conventions, and the expansion lobby on the east side also accommodates large groups on the ground floor.
A glass bridge from the mezzanine level connects through to the existing building at the second floor, and glass railed stairs and an escalator run up to the third floor. That space serves both the convention floor and the City Room and is a real improvement on the existing building in creating additional space.
Another major part of the expansion is the ballroom. The current ballroom is on the ground floor with 12 or 13 foot ceilings, and columns which become a real issue in planning sight lines for major public events. The new ballroom is designed as a large, contiguous space with 20 foot ceilings able to seat several thousand people for dinner with a clear span, and moveable wall systems so it can be broken into four different configurations. It opens up onto York Avenue, which is unique, so you can have all the moveable walls open and the ballroom features a glass wall looking north onto the street.
The existing ballroom has full commercial kitchens to serve 2,500 people. The new convention centre will feature another complete commercial kitchen to serve several major events at once and supply the ballroom, multi-purpose space and convention centre events at the same time.
When it's open, will the new facility be able to accommodate different types of events than they've been able to in the past?
It positions the City to take a whole new level of shows and compete at a new level nationally and internationally. There are tiers of convention centres – a Tier One convention centre would be the biggest major ones like Toronto, Montreal and Vancouver. The expansion takes the RBC Convention Centre into Tier Two, competing with Calgary, Edmonton and Ottawa and, to a degree, Montreal.
No other convention centre in North America has the City Room concept where a massive convention floor is glazed to the city. This expansion also includes a truck ramp to the third floor and a complete new set of loading docks so they can set up and break down a show at the same time, giving them the opportunity for much tighter schedules and tremendous flexibility
When people walk into the new convention centre for the first time, what do you think they’ll notice as soon as when they walk in?
In order to deliver the project on a very tight budget, we've kept the building simple and clean. People will notice the very large-scale light-filled spaces, the colours, the patterned terrazzo floors. It will be much more open and clear with entirely different paths of movement between the convention levels and the main floor. It's a scale of space that people don't experience very often, and the opportunity to do major events.
Throughout his 25-year architecture career, Dave has amassed an impressive resume leading a multitude of successful projects spanning the hospitality, entertainment, commercial and recreation sectors. But perhaps even more notable is Dave’s consistent, dedicated service to a variety of community organizations and causes. At the Manitoba Association of Architect’s annual general meeting in June, his commitment to architecture and charity work was recognized by his peers through his induction as incoming President.
The Manitoba Association of Architects (MAA) is a self-governing body that regulates the practice of architecture in the province. The organization’s mandate is to serve and protect the public interest and advancement of the architectural profession with a focus on enforcing high standards of practice, ethics and integrity.
“Dave’s enthusiasm and personable nature, combined with his drive and knowledge of the field are a perfect fit for this role,” says Number TEN’s practice leader Greg Hasiuk. “Having known Dave personally and professionally for many years, I have no doubt he will make significant and lasting contributions during his tenure.”
Dave’s priorities in the coming year include strengthening the profile of the MAA, raising the profile of architecture and its importance in shaping healthy and dynamic communities, while building on the traditions of the association. He also plans to work closely with council and MAA committees to advance the organization’s relationship with all levels of government, with colleagues in the engineering and design associations, as well as with the University of Manitoba’s School of Architecture.
Situated in an economically disadvantaged area of Regina, Saskatchewan, Seven Stones Community School proudly stands as a statement of cultural diversity and sustainable design for 21st Century learning environments. Designed with extensive input solicited from staff, students, school officials, community residents, and other important stakeholders, Seven Stones is a reflection of the vision and hopes of an entire community. Earlier this month, just one year after its grand opening, the school earned the People’s Choice Award - Best Overall project from the Council of Educational Facility Planners International, Pacific Northwest Region – an internationally recognized organization dedicated to improving the places where children learn.
Upon entering the colourful, curved lines of the facility, it becomes quickly apparent that this is not your typical K-8 school. The state-of-the-art facility, which opened in time for the 2014-2015 school year, implements a wealth of innovative design strategies that serve to maximize student achievement, flexibility of space and inquiry-based learning while celebrating the unique cultural makeup of the community.
Client Goals, Program and Design Solution
The unique learning environment at Seven Stones is the product of an extensive integrated design process (IDP) involving school officials, teachers, students and community members who worked closely together to ensure the design solution addressed the goals, concerns and hopes of all project stakeholders.
The design objectives evolving from the IDP workshops included:
• Flexible teaching arrangements and instructional groupings
• An emphasis on both student and teacher collaboration, inclusiveness and community integration
• Implementation of interdisciplinary and inquiry based teaching and learning
• Improved student engagement and performance.
Number TEN`s design solution fully responds to each of these goals, resulting in a facility the community is truly proud of.
The school is organized around three student clusters, separated by grade level, which converge into a central student commons. Each cluster contains its own welcoming cubby area, universal washrooms, teacher workroom, and a variety of flexible learning spaces. Da Vinci studios, open wet and messy zones, and an outdoor project terrace provide a variety of opportunities for inquiry based learning.
The commons space is used for a variety of purposes, from general assemblies and school performances to serving as flexible library and instructional space. The flexibility of the spaces promote active student collaboration and group work, with a seemingly endless variety of learning configurations to choose from to suit any type of individual or group task.
Contribution and Response to the Unique Nature of the Surrounding Community
Seven Stones is situated on the same site as the former school that preceded it. Understandably, many community members and students were attached to the pre-existing school. The new school is responsive to this, creatively re-using recognizable features of the original school, including some of the original stone façade elements and original oak doors to help tell the story of the school that stood before it.
Seven Stones is situated in an economically disadvantaged area where many of the students are classified as being at-risk. The community comprises a sizable Aboriginal population, as well as a large contingent of new immigrants and other under-represented groups. The school celebrates the unique and culturally diverse make-up of the community through its central design theme: a mosaic of colour and harmony.
The three school clusters, each colour-coded by grade level, converge to meet in the central commons area. Here, the colours blend together to form a beautiful artistic statement of ethnic diversity and social unity.
Seven Stones also offers:
• A central community kitchen and student meal plan to ensure proper nutrition for its economically disadvantaged students.
• A dedicated First Nations space, called the Hawks Nest serves as a home base for community elders, where cultural traditions are practiced and celebrated.
• Access to the school’s public spaces after school hours, where various community groups converge to use the facility much like a traditional community centre.
Central to Regina Public School’s Structural Innovation Framework – a bold effort to improve school designs for the 21st century student – is a dedication to sustainable design strategies that mitigate impacts on the environment while improving the student experience. Designed to a LEED ® Silver target, Seven Stones implements a variety of ecologically sensitive design strategies including:
• In-slab radiant floor heating and cooling
• Displacement HVAC system
• High-efficiency boilers
• Extensive use of recycled materials
• Daylighting strategies
• High-performance building envelope
• Distinctive south facing exterior sunshade panels.
But the story of environmental preservation extends far beyond the typical energy performance and cost-saving design strategies. Seven Stones takes the concept of sustainable design an important step further by highlighting its green features to educate the next generation about environmental stewardship.
Much like a ‘3-D textbook’, the school’s green features, such as its tubular skylights, in-floor heating and ventilation systems are intentionally exposed to educate students about the importance of environmental preservation. At the main entry, an educational green kiosk displays real-time energy savings to encourage green thinking while inspiring and reminding students and other building users of the value of environmental sustainability.
Adaptability to Changing Educational Delivery
Seven Stones’ innovative design features set out to redefine educational delivery for the 21st century student. The ‘cells and bells’ approach to design, the norm throughout the past century, has been set aside in favour of more flexible, varied, and technologically rich spaces to better support and celebrate a wide variety of learning styles.
Seven Stones represents a new approach to school design in Canada; one that is sustainable, forward-thinking, culturally sensitive, and enhances the student and community experience.
Client: Regina Public Schools, Saskatchewan Ministry of Education
Architects: Number TEN Architectural Group in collaboration with Fielding Nair International
Structural: Browlee Beaton Kreke
Mechanical: MacPherson Engineering Ltd
Electrical: Ritenburg & Associates
Civil: Associated Engineering
Landscape: Crosby Hanna & Associates
LEED: MMM Group
Construction: Clark Builders
Furniture: VS Furnishings
Carpeting: Shaw Contract Group
Resilient Flooring: Johnsonite, Mondo
Ceiling Tile Systems: Armstrong
Masonry: Sioux City Brick, Gillis Quarries
Curtainwall, Windows & Sunshade Panels: Alumicor